Friday, December 29, 2017

Encaustic Monoprints


Monotype 4, 2017
Starting in 2017, my work has been focused on the encaustic monotype, a relatively new process offering unique qualities not achievable through other printmaking or encaustic painting methods. One of the joys of encaustic monotype (monoprint) is that if offers endless possibilities. Working directly on a heated surface, fluid layers of encaustic can be applied, manipulated and reworked to create a singular print of depth, translucency and complex color.


Monotype 14, 2017
Monotype 21, 2017

Monotype 22, 2017


Monotype 39, 2017

Monotype 40, 2017

Monotype 52, 2017

Monotype 56, 2017

Monotype 70, 2017

Saturday, October 1, 2011

Current Work



Recent Sculpture: Earth Bones



Winged Odile, 2011 
Encaustic and wood branch
 14 x 12 x 7 inches



Floating Immortal, 2010
Encaustic, barberry wood, rusted metal

8 x 12 x 9 inches




Aphrodite, 2010
Encaustic on wood

9 x 6 x 5 inches



Staff Head, 2010
Barberry wood, brass, iron, beeswax
6 x 1.5 x 2 inches




Recent Sculpture: Bee Brood Chambers

My “brood chamber” series, constructed from layers of fragile organic material, beeswax and encaustic, symbolize the conflict I see taking place between nature and civilization and my concern for our fragile environment. Specifically, the brood chambers serve as memento mori for the world-wide honey bee “colony collapse syndrome, that threatens our food supply.


Brood Chamber – Amber Spotted, 2011
Encaustic, botanicals, paper clay
6 x 3 x 3”




Brood Chamber - Veined #2, 2011
Encaustic, botanicals, papier mache
6 x 3 x 3”



Brood Chamber – Golden, 2011
Encaustic, botanicals, papier mache
5.5 x 3 x 3”



Brood Chamber - Large Iris, 2012


Brood Chambers - Pink Rising, Cirius, Scarlet & Ivory, 2012



Brood Chambers - Ivory, Autumnal, Rose Rising, 2012



Brood Chamber - Chinese FireTop, 2012



Prices on Request